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Jean-Baptiste Huysmans
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| Flemish 1654-1716 | ||||
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Mountainous Landscape Jean-Baptiste Huysmans1.jpg Painting ID:: 2232 |
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Corneille Huysmans
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| 1648-1727 Flemish Corneille Huysmans Galleries | ||||
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Mountainous Landscape Corneille Huysmans2.jpg Painting ID:: 2238 |
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MAGNASCO, Alessandro
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| Italian Rococo Era Painter, 1667-1749 Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects, | ||||
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Mountainous Landscape new3/MAGNASCO, Alessandro-465929.jpg Painting ID:: 28407 |
mk60 1720s Oil on canvas 62x83" | ||
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SEGHERS, Hercules
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| Dutch Baroque Era Painter and Printmaker, ca.1590-1638 Dutch landscape painter and etcher. Seghers's work greatly influenced early 17th-century Dutch landscape painting. He studied with the painter Coninxloo (1544C1607) and may have traveled to Italy and in the Alps. Some of the frenzy of his personal life can be seen in his rare paintings and his more numerous, masterly etchings. His landscapes consist of vast, often desolate, panoramas and powerful, smaller scenes rendered with drama and pathos. Rembrandt owned eight paintings by him, and his own landscape style was influenced by Seghers. | ||||
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Mountainous Landscape new3/SEGHERS, Hercules-482937.jpg Painting ID:: 30021 |
mk67 Oil on canvas mounted on panel 21 11/16x39 3/8in Uffizi,Gallery | ||
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Joos de Momper
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| Flemish Baroque Era Painter, 1564-1635 known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to blue and finally green in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures. Only a small number of the 500 paintings attributed to De Momper are signed, and just one is dated. | ||||
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Mountainous Landscape new24/Joos de Momper-868944.jpg Painting ID:: 73889 |
Oil on panel, 57.2 X 91.8 cm. cyf | ||
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